@article{oai:sapporo-u.repo.nii.ac.jp:00005100,
 author = {木村, 真佐幸 and キムラ, マサユキ and KIMURA, Masayuki},
 journal = {札幌大学紀要 : 教養部論集},
 month = {Mar},
 note = {P, It has been pointed out that there is a lack of "consciousness of modernity" in Ichiyo Higuchi's social criticism and view on poets as well as in her personality displayed in her literature. "It is true," says Mr. Tadayoshi Kondo, "that Ichiyo was the first woman to lift up her voice in behalf of the 'oppressed' woman・・・ but she cannot be said to have handled the problem from the most effective and proper angle." This seems to be partly because hers is a literature with the feudalistic and immature Japan of the Meiji era for a background and partly because of her own classical attainments. Then, is it impossible to find out her "consciousness of modernity" in her literature? The writer does not think so. As most scholars point out, there are clearly seen three stages in the development of her literature. But, what about the problem of her "modern self-consciousness"? The writer has tried to consider her approach to modernity by analyzing her two novels Nigorie and Jusanya.},
 pages = {191--219},
 title = {一葉文学における近代的自我の問題 : 「にごりえ」・「十三夜」を中心に(その一)(開学記念号)},
 volume = {1},
 year = {1968}
}